Details
Jerusalem in My Heart was not supposed to be a recorded project, but not isn’t never. The project, fronted by Constellation’s in-house mixer Radwan Ghazi Moumneh, began as a live performance involving music as only one part of a larger sensory piece—the full effect was procured with visuals and light projections, a culmination of artforms that actively interacted with setting and audience.
For those of us who’ve never seen Moumneh perform, Mo7it Al-Mo7it provided only a slither of the project’s transient context, especially from an institutionalised Western perspective, where it was interpreted with some degree of xenophobia. Ultimately, though, Moumneh’s change of heart is indicative of his poignant approach to narrative: for a project as non-linear and far-reaching as this one, isolating the music is its own form of improvisation.
Oiseaux-Tempete:
‚Beautifully atmospheric‚ KALTBLUT MAGAZINE
‚Ein unglaublich schöne und dunkel stimmige gehaltene Platte. Empfehlung! ‚ FREISTIL MAGAZINE
‚Zu jeder Sekunde Laüft das Album über vor gewaltigen, wundervollen Kompositionen. Genialität! 9/10‚ OXFANZINE
‚Oiseaux-Tempete läutet seine Sammlung unveröffentlichter Aufnahmen aus den Jahren 2012 bis 2015 ein mit einem wunderbar verträumt schwebenden und Orgel-getragenen Ambient- Soundscape samt choralen Elementen und einer unterschwellig sakralen Atmosphäre.‚ HHV
