MATTHEW AND THE ATLAS

MATTHEW AND THE ATLAS

+ KIM JANSSEN

Datum: Samstag, 02. November 2019
Ort: Lido · Berlin ( Cuvrystraße 7 · 10997 Berlin)
Einlass: 18:30
Beginn: 19:30

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Matthew and The Atlas has released new track Pyres, the first track to be taken from the their
third album, which is due for release on 10th May.
Morning Dancer is the third album from Matthew and the Atlas, the project led by British
songwriter Matt Hegarty.
Across Hegarty’s first two LPs (‚Other Rivers‘ and ‚Temple‘) and the four stripped back EPs
that preceded and followed them, he has traversed a range of musical territories from classic
acoustic folk, to dramatic synth-laden electronica, and urgent guitar led alt-rock. The
common thread has been a songwriting style that marries a subtle melodic sensibility with
lyrics full of natural imagery and dark emotional heft – all delivered in his striking and
distinctive vocal. In the process Hegarty has quietly built a major cult following in Europe
and the US, which has seen Q magazine dub him the „British Bon Iver“.
As part of the Communion Records family (Matthew and The Atlas’ debut EP was the label’s
first ever release) Hegarty toured his early releases extensively and internationally with the
likes of Mumford and Sons, Bear’s Den, Civil Wars and others around Europe and the US.
That early touring, and a passionate word-of-mouth fan base, has taken Hegarty’s music
around the world and close to 100m streams across all his releases.
Armed with a collection of new songs in the second half of 2018, Hegarty found his way to
Bristol based producer Ali Chant (Perfume Genius, Youth Lagoon, Gruff Rhys). They clicked
immediately, and recorded and mixed Morning Dancer in an intensive six week stint, which
saw Hegarty recording for the first time with his full five-piece touring band. The record has
familiar elements – the energy and intensity of the live show, stripped and delicate
confessional moments, and touches of the synth heavy drama that characterized his debut. To
that mix, Chant and Hegarty have added flourishes of brass and woodwind and a playful
looseness to the production and arrangements that takes the songs and Hegarty’s voice to a
new place altogether.